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Enid Tsui

Auctioneers Sotheby’s postponed the sale of sacred Buddhist relics in Hong Kong on May 7 at the last minute in response to a demand from the Indian government.
New Delhi also demanded the immediate repatriation of the relics.
The “Piprahwa Gems of the Historical Buddha” were to have been one of the highlights of a fortnight of auctions ongoing in Hong Kong that are focused on Asian works of art.
According to a member of the family which consigned them for auction, the relics in question are “duplicates” of precious stones, pearls and pieces of gold believed to have been buried around 2,000 years ago with the corporeal remains of the Buddha.
Carved into floral and other motifs, they were unearthed in 1898 in what today is Uttar Pradesh state in India by a British engineer, William Claxton Peppé, in a stupa near the Buddha’s birthplace.
They were found with ash and bones which an inscription in the ancient Pali script described as the “relics of the Buddha, the August One”.

Peppé handed over most of the finds to the then British colonial government in India, which separated the ash and bones from the gems. It presented the former to the Buddhist King Rama V of Siam, as Thailand was then called, and kept the gems in the Indian Museum in Calcutta, now Kolkata.
The gems that were to be auctioned in Hong Kong come from the Peppé family. According to Peppé’s great-grandson Chris, the pieces are “duplicates” of around a fifth of the original find which have been passed down through generations of the family.
In a legal notice dated May 5 and addressed to Ivy Wong, associate general counsel of Sotheby’s Hong Kong, the Indian Ministry of Culture called for the relics to be withdrawn from the auction because the sale would violate Indian and international laws as well as United Nations conventions.
The gems “constitute inalienable religious and cultural heritage of India and the global Buddhist community”, the notice read, and they ought to be returned to India.
It cites examples of other auctions that were halted because of ethical, fraud or legal issues in recent years, such as a “Graceland Auction” of supposed Elvis Presley memorabilia, and the Egyptian government’s attempts to stop the sale of ancient artefacts.

It also claims that the Peppé family “lacks authority” to sell the relics and accused the auction house of taking part in “continued colonial exploitation” by agreeing to the sale. The letter was made public on the Ministry’s Instagram account on May 6.
“In light of the matters raised by the Government of India and with the agreement of the consignors, the auction of the Piprahwa Gems of the Historical Buddha, scheduled for May 7, has been postponed. This will allow for discussions between the parties, and we look forward to sharing any updates as appropriate,” the auction house said in its announcement.
In April, two scholars at London’s School of Oriental and African Studies published a paper, titled “Selling the Buddha’s Relics Today”, objecting to the sale in Hong Kong.
In it they argued that to the vast majority of Buddhists, the gems are part of the Buddha’s śarīra – a term used to describe pearls and other precious objects found among the cremated ashes of Buddhist spiritual masters. As such, they wrote, the relics were “imbued with the living presence of beings who have not truly died but have reached Awakening”, meaning the end of suffering.
Sotheby’s had valued the gems at around HK$100 million (US$13 million), and highlighted their sacred nature in the auction catalogue, which described them as “relics” that are “a portal to another dimension, another time, to the historical Buddha himself”.
The gems were put on show in February in Hong Kong ahead of their planned sale, and on Wednesday morning a sign at Sotheby’s Maison, the auctioneers’ space in the luxury Landmark shopping centre in Central district, was still promoting the public exhibition of the gems.
However, when the Post tried to view them, we were told the exhibition space was closed to the public.
India has stepped up efforts to recover cultural artefacts from overseas in the past decade.
In 2024, the United States agreed to return 297 objects that were either looted or smuggled from India. In 2015, Singapore’s Asian Civilisations Museum returned an 11th-century bronze sculpture to India.


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Sotheby’s calls last-minute halt to Hong Kong sale of Buddha relics after India intervenes

Some of the sacred Budddhist relics pulled from sale in Hong Kong by auctioneers Sotheby’s after the intervention of the Indian government. Photo: AFP

Some of the sacred Budddhist relics pulled from sale in Hong Kong by auctioneers Sotheby’s after the intervention of the Indian government. Photo: Sotheby’s

The relics Sotheby’s pulled from sale were consigned for auction by descendants of the British engineer who found a trove of precious stones, pearls and gold items in 19th century India. A family member called them “duplicates” of some of the originals. Photo: Sotheby’s

The Indian government described the relics as part of the “inalienable religious and cultural heritage of India” in a notice to Sotheby’s demanding they be withdrawn from sale. Photo: Sotheby’s

Chinese ink painter Lui Shou-kwan and 4 artists he taught who developed their own styles

Untitled I (2002) by Irene Chou, one of several artists who studied under master ink painter Lui Shou-kwan in Hong Kong in the 1960s who developed distinctive styles of painting. Photo: courtesy of Alisan Fine Arts

An undated photo of Lui Shou-kwan at work. Photo: Handout

Wucius Wong studied under Lui Shou-Kwan in the 1950s. Photo: Bruce Yan

Thoughts of Antiquity No. 2, 1999 by Wucius Wong. Photo: courtesy of Wucius Wong

Kan Tai-keung, whose works blur the line between ink art and graphic design. Photo; Jonathan Wong

Mountain and Clouds, No 1. 2014, ink and colour on silk, by Leung Kui-ting. Photo: SCMP

Zen (1974) by Lui Shou-kwan. Photo: CUHK and AAHK

Irene Chou was introduced to Western abstract expressionism by Lui Shou-kwan in the 1960s. Photo: Handout

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“Grotto” by Nicholas Party is shown during the media preview on March 20, ahead of Sotheby’s Hong Kong auction. Photo: Nora Tam

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Young naked women are their canvas – nude art of 2 anonymous Hong Kong artists challenges city’s conservative attitudes towards sex

Lousy’s body paint on a nude woman. The anonymous Hong Kong graffiti artist paints bold designs on young, naked women then photographs them in erotic poses. Photo: Lousy                                                         

Another of Lousy’s “kissfaces”, on Queen’s Road West in Hong Kong. Photo: Lousy

Lousy’s photobook “Yook”, published in 2020. Photo: Lousy

Matsushimaon’s body art on a nude woman. Photo: Matsushimaon

Professor Sonia Wong says there is not a lot of space in erotic or explicit artistic disciplines for women to express their sexuality, especially in Hong Kong. Photo: Professor Sonia Wong

Artist Lousy’s portrait. Photo: Lousy

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Sale by family of 19th century British engineer of ‘duplicates’ of sacred relics he found in India called illegal by Indian government


Sale by family of 19th century British engineer of ‘duplicates’ of sacred relics he found in India called illegal by Indian government.


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